The High Divers and Great Peacock take the stage in the Ridge at New Mountain AVL on Saturday, June 3rd.
The High Divers transcend the "southern rock" genre, adding Motown flavor and psychedelic rock aesthetic.
• More about The High Divers •
“We all moved to Charleston (SC) on the same day, and there was nothing else in our minds but forming a kick ass touring rock band”, says frontman, Luke Mitchell. With some extensive tours under their belts, as well as some opening slots for notable acts such as Nathaniel Rateliff & The Nightsweats, Delta Spirit, Shovels & Rope and Drivin N Cryin; The High Divers are steadily becoming exactly what they’d envisioned since day one.
Riverlust, the group’s debut record, released fall of 2015, found it’s way onto many “best of” lists and was warmly received up and down the East Coast. The band has quickly gained a foothold in the Carolina music scene as well, starting to sell out various venues in Charleston, Beaufort and Hilton Head Island. “We’ve been touring non-stop” says Mitchell, We feel so static whenever we’re home for more than a couple of days”.
The Band is quickly approaching putting the final touches on their Sophomore release which is due out mid-September. “There’s been a little bit of a departure from any sort of “twang” on this record, says Mitchell “We don’t really want that “Southern Rock” moniker to follow us around forever, as we feel we’re so much more versatile than that label” . A band that would have felt equally as comfortable in the 60’s Detroit Motown scene as they would hanging out in Topanga Canyon in the early 70’s, The High Divers are creating songs that nod towards music of the past, while pushing ahead all the time.
• More about Great Peacock •
You can call Great Peacock a folk band... but don’t expect them to make music for campfires or square dances. Raised in the Deep South and headquartered in Nashville, they’re a group of red-blooded country boys who aren’t afraid of the big city. Case in point: Making Ghosts -- the duo’s harmony-heavy, guitar-driven debut album -- whose 11 songs find the middle ground between rootsy, down-home Americana and super-sized arena pop/rock.
“To us, it’s just pop music with organic acoustic instruments,” says Andrew Nelson, who shares lead vocals and guitar duties with co-founder Blount Floyd. “The album has some fiddle, some pedal steel and a whole lot of acoustic guitar, which sounds like the traditional setup for a country band. But this isn’t a country record. It’s not really a folk record, either. It’s a pop/record... with folk tendencies.”
Nelson and Floyd first crossed paths in their early 20s, bonding instantly over a shared love of cheap beer and good Southern music. After logging several years together in a loud, Tennessee-based rock band, they split off to form their own project, swapping out the amplified swagger of their previous group for a straightforward sound anchored by acoustic guitars, anthemic melodies and two intertwined voices. Like an old-school harmony duo retuned for a new generation, they started off with a handful of classic influences -- the country croon of George Jones, the working class rock & roll of Bruce Springsteen, the heartland hum of Tom Petty -- and expanded their sound from there, turning Great Peacock into the sort of band that’s simultaneously rooted in tradition and headed toward new territory.
The music on Making Ghosts reflects Great Peacock’s ambition. Songs like “Tennessee” are swooning, sweeping tributes to the band’s homeland, while “Take Me To The Mountain” pushes the band toward anthemic territory, fueled by super-sized drums and a radio-ready melody. On “Arms,” the guys jump between haunting verses and big, Technicolor choruses, capping everything off with a screeching guitar solo. These peacocks know how to strut their stuff.
What’s in a name, by the way? In Great Peacock’s case, quite a bit.
“We initially thought it was just a funny name for a band,” Nelson admits, “but through the evolution of everything we’ve done, we’ve always been big and colorful. That’s why Blount jumps around onstage. That’s why I wear a suit jacket embroidered with feathers, which is basically a poor man’s nudie suit. We’ve embraced the image of the big peacock feathers, and we want to entertain you. We look that way, we think that way, and we sound that way, too.”